Which Of The Following Does Not Describe A Non-Narrative Film Developing Your Narrative Voice in Fiction

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Developing Your Narrative Voice in Fiction

The voice

The creative voice is just as popular in fiction writing as it is in music, though not in the same way. Everyone who has taken a creative writing course or read a lot of books knows this. It seems to be one of those strange wonders: once one knows it, one just gets it. However, it remains a traditional mystery of the written word and the creative art of novelists and fiction writers.

how in

What most students of creative writing want to know about ‘voice’ is how to imbue their written work with one, and more deeply how to develop their own and how to share it with others. For some reason, it doesn’t seem as faithful as it does with spoken word and regular voice.

Many journalists are also forced to adopt some voice other than their own when they begin their writing careers, and in fact many ghostwriters learn to imitate the written voice of others rather than learning to hone their own.

One reason for this is that the art of the written word is similar to painting in the sense that “imitating the Masters” is one of the best ways to develop skill in the field. Musicians know this too: learn to play music by great composers to achieve mastery with your instrument.

As an exercise, picture yourself, or a pet or friend. Write it from your own point of view, then try at least 2 other points of view. See how it is the same and how it becomes different. Once you’ve written them all down, and re-read them, if you can, dare to share and get feedback from others in a forum or in person.

Creativity vs. Skill

The truth is that some people find it easier or more natural to be creative while others are more comfortable honing their skills at something but are a bit vain when asked to be creative. This is true in many fields, and art is no exception.

Narrative Voice

Practice is always helpful, and should generally be considered mandatory. The best way to keep it from copying great literature, is practice. Students are advised to try to write naturally but also to experiment with what is not. Success can be surprising. There is no reason to suppose that Arthur Conan Doyle planned to have Dr. Watson – also a character in the stories, to narrate the mysteries of Sherlock Holmes, and yet one of the reasons for the success of those stories is exactly that: a narrator with so many characters, that he is in the story as a character! I even heard of a woman who had greater financial success once she started using her pet dog’s imaginary voice as a narrator. Notice in both cases, the “unique authorial voice” is not the narrator, but there is a narrative voice as part of the overarching work. This can be a bit confusing for those trying creative writing; it’s a bit like “levels of thought”: the author, then the narrator, then any character or characters.

Narrative POV (point of view)

First person narrative is when the short story or novel is written from the subjective point of view of the main character. Usually, there should be no resemblance or only the vaguest or most oblique relationship between the subjective views of the character and the author. In this case, the author has no choice but to understand the main character and limit communication to that point of view.

The third person narrative is more of a “fly on the wall” type of perspective. This vantage point can be very objective, or not even remotely. This is where an author has to decide about developing a narrative voice. Narrators can range from wanting to go unnoticed – more of a ‘window onto the story’ approach, to the other extreme of Arthur Conan Doyle’s Sherlock Holmes stories where the narrator is actually the side kick of Sherlock Holmes and has a very active role. in stories.

Third person who knows everything. It’s a kind of narrative position that allows written works of stories and novels to be different from most TV and film and playwriting. In this type of narration, the author reads the minds of the characters at will, and is able to share such information with the reader. The written form is particularly suitable here, as people talk in ordinary life.

So, how to learn to write with narrative voice in fiction. Experimentation can be most beneficial. The best creative writing can change their narrative voices to suit the genre, the project, the context and somehow also make fans feel very sure of who the author is, and how special he is. , as a literary artist.

The best type of narration can vary from story to story. Whether a book flies or fails can depend on which narrative device is applied.

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